中国60后诗人系列 韩庆成 诗四首 (汉英对照)

[中国]韩庆成

月全食

一

当月全食

出现在我的头顶

我知道

那颗整天日我的日头

此刻正被我

踩在脚下

二

一直听说

月亮

是被一条西天的狗

吃了

一直不知道

吃月亮的

是自己屁股下面的

这个球

三

很多黑暗

我们只能眼睁睁地

看着它发生

而最黑暗的时刻

最短命

鸟

一

它们从窗户的排气孔钻进来

在卫生间的顶棚上筑巢

每天它们都准时醒来

晨光的触须是它们的闹钟

它们没有工作，不种庄稼

飞翔是唯一可见的劳动

天黑它们就回来睡觉

从不上网，也不会失眠

二

午后，它们在窗台上聊天

每次拉开窗

它们就倏地

飞到对面的树枝上

我打量它们

它们也回头看我

我眼里它们是飞禽

它们眼里我们是走兽

雨水

网上说，武汉降雨三亿吨

我不知道这个数量

能把海平面抬高多少

抬到我所希望的高度

还要多少雨

我知道雨还在下

那就下得更粗暴些

如果不够，就让泪水

流得更汹涌些

直到海平面升高八千米

让整个世界

只剩下珠穆朗玛的脑袋

让人类

重新回到水中

我与汪家正

我与汪家正，本来不该有什么关系

我住在合肥，他住在株洲

株洲是湖南的一个市，我没有去过

汪家正是全市四百万人中的一个

另外三百九十九点九九九九万人我都不认识

单单认识他，得感谢一瓶汽油

我与汽油的恩怨已不是一天两天了

我学车的时候一升汽油三块多，现在一升七块多

汪家正让我明白了汽油老涨价的原因

汽油在株洲，除了用来烧发动机

还可以用来烧人。一个活人，点燃汽油

从屋顶滚下来，像一部进入实拍的电影

一样逼真。逼真的还有各种职业的群众演员和道具

挖掘机说挖就挖下去了，音效应该是杜比数字

轰鸣声巨大，声压足够，从左声道移向中置声道

于是中间屋顶上的汪家正，把一瓶汽油快速浇遍全身

右侧屋顶儿子的表演也适时开始，他要跑过去

被瓦绊了一下，差点摔倒

汪家正一抬手，火焰腾地席卷全身，漫过头顶

他扭曲

下滑

在导演喊“咔”之前，从二层楼房的屋顶直直滚下地面

群众演员一拥而上，有人拿来早就备好的灭火器

喷出一道白雾，火熄了一半

几秒钟后再喷出一道白雾，全熄了

过了一会儿，穿白大褂的护士和医生跑过来

蓝色的担架，哭喊的家属，制止的阿Sir

在导演的指挥下按部就班地进行

我看了两分57秒的样片，虽然是见习摄像拍的

但把众演员的表演，已经拍到以假乱真的高度

株洲的综合实力，保持中部非省会城市第一

从这个短片可以看出，并非徒有虚名

建议摄制单位好好剪辑一下，去角逐奥斯卡

最佳纪录片奖，附上主演躺在医院监护室的照片

在时报广场的大屏幕，播出一周

我认为摘桂，有三百九十九点九九九九万的可能

[China] HAN Qingcheng

Total Lunar Eclipse

1.

As the total lunar eclipse

Appears above my head

I know that

That sun, that has fucked me each day

Is now

Under my feet

2.

I have heard all the time

That the moon

Was swallowed by

A dog in the west heaven

But I have never been aware of that

The moon was actually eaten by

This fucking ball

Under my butt

3.

Lots of darkness

Can we only watch

Taking place

Without being able to act at all

But the darkest moment has

The shortest life

Birds

1.

They came in through the window vents

And made their nests on the roof of the bathroom

Every day they wake up punctually, with

The tentacles of morning light being their alarm clock

They have no job, and do not farm

Flying is their only visible work

They come back to sleep at twilight

They never surf on the Internet, and never have insomnia

2.

In the afternoon，they chat on the windowsill

Each time I open the window

They swiftly fly away and land on

The tree branches on the other side

I look at them

And they turn back to look at me

In my eyes they are flying birds

In their eyes we are walking animals

Rain

On the Internet they say

Three hundred million tons of rain

Has fallen over Wuhan

I don't know how much

This can elevate the sea level

And how much more rain is needed

For it to rise to the height I desire

I know that the rain is continuing

Then let it be more fierce

If that’s still not enough, then let tears

Flow more turbulently

Until the sea level has risen eight thousand meters

Such that the whole world has gone under

Except for the head of Mount Everest

And such that mankind can

Return to water

I and Mr. Wang Jiazheng

I and Wang Jiaxzheng, originally we shouldnot have any relation

I live in Hefei, and he lives in Zhuzhou

Zhuzhou is a city in Hunan province, and I have never been there

Wang Jiazheng is one of the four million residents in the entire city

I don't know the other three million nine hundred ninety-nine thousand nine hundred ninety-nine people

I get to know him, thanks only to a bottleof gasoline

My happiness and misery with gasoline havebeen for a long time

When I was learning to drive, gas was threesome yuan per liter, and now it's seven some

Wang Jiazheng made me understand the reasonfor the price to go up

In Zhuzhou gasoline is not only used forburning engines

But also for burning humans. A living humanigniting gas and

rolling down from a roof, that looks likeshooting a scene in a movie

Indeed just as real.  As real are also the extras of all professions and props

The excavator digs when one says dig. Thesound effect is Dolby digital

The roaring is huge, the sound has enoughpressure, and moves from the left channel to the middle one

And then Wang Jiazhen, on the middle rooftop, swiftly pours a bottle of gas onto his entire body

While his son on the right hand side of theroof is also starting to perform on time, wanting to run across

But tripping over a tile, and almostfalling down

Wang Jiazheng lifts his hand, and the flameengulfs his entire body instantly, and flows over his head

His body twists and

Glides down

Before the director calls “cut”, it rollsdirectly from the roof of the two story building down to the ground

The extras rush up to him.  Some bring the ready extinguishers

A stream of white fog gushes out, and halfof the fire is out

Seconds later, after another white stream,it is all out

A little later, doctors and nurses in white uniforms come over

Blue stretchers, the crying family members,and the disciplining cops

Are proceeding step by step under thedirector's command

I have seen the two minute fifty-sevensecond video，which, though shot by a trainee，

Has already elevated the extras’performance to the level of appearing real

The combined strength of Zhuzhou continuesto rank number one among cities in the middle province

Based on this short video we know that'sfor real

Let's suggest to the producer to do a goodediting of it, and then to run for a

Documentary Oscar, with a photo of the leadactor lying in an intensive care unit attached

And also run it on a big screen in the TimeSquare for one week

I believe that there are three million nine hundred ninety-nine thousand nine hundred ninety-nine chances for it to win

(Translatedby YE Rugang)

作者简介：

韩庆成,1965年生于安徽宣城，中国当代著名诗人，干预诗歌发起人。1981年开始写诗，1986年起作品多次获奖，入选中国主要诗歌选本20余种。2011年起，先后创办中国诗歌流派网、《诗歌周刊》、《诗日历》等新媒体诗歌平台，策划“21世纪中国现代诗群流派评选暨作品大展”并任评委会主任，发起“中国好诗榜”年度评选活动。著有诗集《城市和乡村的边缘》、文集《桂冠与荆棘》，主编《华语诗歌年鉴》等。现任中国诗歌流派网主编，国际汉语诗歌协会常务理事。

Aboutthe author:

Han Qingcheng, born in Xuancheng city, Anhui province in 1965, is awell-known contemporary poet in China and the initiator of Intervention Poetry. He started to write poems in 1981, and has received multiple poetry awardssince 1986. His poems have been featured in more than twenty major poetryanthologies inChina.  Since 2011, he has established a number ofpoetry platforms of new media, including The Web of Chinese Poetry Schools, “PoetryWeekly” and “Poetry Calendar”. He organized the event “Selection of ModernPoetry Schools ofChinaand Exhibition of Their Poems”, chaired its selection committee, and initiatedthe annual event "Good Poems of China". Han published his poetryanthology “At the boundary between cities and Countrysides” and essaycollection “Laurels and Thorns”， and has served as the editor-in-chief of “Annual Anthology ofChinese Poems”. At the moment, he is the editor-in-chief of The Web of ChinesePoetry Schools, and a standing director of International Association of ChinesePoetry。

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