10.20 / 14:00 - 16:00
带上狗去散步：对话英国即兴音乐家
Taking the Dog for a Walk
- Conversations With British Improvisers
卢森堡 Luxembourg / 英国 UK
场地 Venue：A3+
免费入场 Free Admission
导演 Director: Antoine Prum
出品方 Production: NI-VU-NI-CONNU
时长 Length: 128分 128min
年份 Year: 2014
语言 Language: 英语 English
字幕 Subtitles: 无 None
10.20 / 19:00 - 20:00
DRAKE/THOMAS 二重奏 DRAKE/THOMAS Duet
美国 USA / 英国 United Kingdom
Hamid Drake - 鼓 Drums / 打击乐 Percussion / 框鼓 Frame Drum / 人声 Vocals
Pat Thomas - 钢琴 Piano
10.20 / 20:20 - 21:20
Vladimir Chekasin & Vladimir Tarasov
- 致敬斯特拉文斯基 Rondo à la Stravinsky
立陶宛 Lithuania
Vladimir Chekasin - 萨克斯 Saxophones / 单簧管 Clarinet / 钢琴 Piano / 键盘 Keyboards
Vladimir Tarasov – 鼓 Drums / 打击乐器 Percussions
10.20 / 21:40 - 22:40
节中节即兴大联盟
FIF Improvisation Union
Akosh S.
Peter Ajtai
Szilveszter Miklòs
Peter Evans
梅津和时 Kazutoki Umezu
加藤崇之 Takayuki Kato
林赖我 Raiga Hayashi
Hamid Drake
Pat Thomas
Vladimir Chekasin
Vladimir Tarasov
……
放映 Screening
14:00 - 16:00
带上狗去散步：对话英国即兴音乐家
Taking the Dog for a Walk
- Conversations With British Improvisers
导演 Director: Antoine Prum
场地 Venue
华侨城创意文化园北区A3+
A3+, North District of OCT-LOFT
*放映为免费活动
Free admission for Screening.
演出 Concert
第一场 1st Set 19:00 - 20:00
DRAKE/THOMAS 二重奏
DRAKE/THOMAS Duet
第二场 2st Set 20:20 - 21:20
Vladimir Chekasin & Vladimir Tarasov
- 致敬斯特拉文斯基
Rondo à la Stravinsky
第三场 3st Set 21:40 - 22:40
节中节即兴大联盟
FIF Improvisation Union
演出流程 Agenda
18:00 兑票 / 售票
18:30 观众入场
19:00 演出开始
*
一张门票可观看当晚三场演出
带上狗去散步：
对话英国即兴音乐家
《带上狗去散步：对话英国即兴音乐家》预告片
在拍摄了《Sunny’s Time Now》这部聚焦于美国传奇自由爵士鼓手Sunny Murray的权威纪录片之后，卢森堡电影人Antoine Prum将眼光转向了英国自由即兴音乐，拍摄了一部新的音乐纪录片《Taking the Dog for a Walk》。该片取材于柏林一个为期三天的音乐节，该音乐节同时也是为此片的拍摄而成形举办。《Taking the Dog for a Walk》聚焦于英国横跨几代的自由即兴乐手，回溯即兴音乐在60年代的发源、释放，以及其近年来由新兴天赋乐手以及充满活力的场馆带来微小的人气回温。
导演Antoine Prum寻找着英国自由即兴音乐的本土性，并得到低音萨克斯手Tony Bevan、脱口秀演员Stewart Lee的帮助，两人与许多不同年代、背景的乐手讨论“不同音乐类型的特点”，从而反驳音乐中“类型”的概念。随着大段现场演奏的穿插，话题围绕于即兴演奏的特质，从俗话说的“为四个人一条狗演奏”，到主流媒体无法衡量其成功与否的特定行业环境。
《带上狗去散步：对话英国即兴音乐家》海报
After Sunny’s Time Now, his authoritative portrait of the American Free jazz drumming legend Sunny Murray, Luxembourg filmmaker Antoine Prum turns his attention to the British Free Improvised Music scene in this new feature-length music documentary. Branching out from a three-day festival in Berlin conceived and organised for the purpose of the film, Taking the Dog for a Walk maps the scene of British Improvisers, past and present, retracing the road that led from its emergence and emancipation in the 1960s to the recent (albeit small) surge in popularity as talented new players and dynamic venues are coming to the fore.
In his search for the ‘Britishness’ of British Free Improvised Music, Prum is assisted by bass sax player Tony Bevan and stand-up comedian Stewart Lee, who talk to musicians from different generations and backgrounds to uncover the specifics of a genre that refutes the very notion of genre. Alternating with extended live music sequences, the conversations gravitate around the idiosyncrasies of improvisation, from playing in front of the proverbial ‘four men and a dog’ to pursuing a career in a milieu where success is not measured by mainstream criteria.
DRAKE/THOMAS 二重奏
DRAKE/THOMAS Duet
© Rémi Angeli
Hamid Drake，美国爵⼠⿎⼿和打击乐⼿，被⼴泛认可为爵⼠乐和前卫、即兴⾳乐中最好的打击乐手之一。在丰富的演奏经历中，他涉足⾃由爵士、摇滚、R&B（节奏布鲁斯）、雷⻤、放克和世界音乐，熟悉北非、⻄非、印度、加勒⽐和拉丁打击乐的繁复技巧，被称为“一个人的打击乐团”。
Hamid Drake，1955年出生于美国路易斯安那州的门罗市。1974年起，他与美国爵士萨克斯演奏家Fred Anderson开始长达数十年的紧密合作，直到后者于2010年逝世为止。Fred Anderson是影响深远的芝加哥音乐家组织AACM（创新音乐家促进协会，Association for the Advancement of Creative Musicians）的重要成员。年轻的Hamid Drake也因此结识了Douglas Ewart、George Lewis等前卫音乐家。
1978年，Hamid Drake结识了美国先锋、自由爵士小号手Don Cherry，并开始了又一段长达十余年的合作，这段合作延续到1995年Don Cherry逝世。
如今，Hamid Drake和美国低音提琴手William Parker的二重奏被认为是“当前爵士乐中最棒的节奏组合。”（《Alternative Press》杂志）“自从Don Cherry和Ed Blackwell联手后，就再没有两位音乐家如此有机地将世界音乐的影响与自由爵士结合起来。”（《Jazziz》杂志）Hamid Drake和William Parker长年保持亲密关系，共同在AUM Fidelity合作发行了十余张专辑。
Hamid Drake与Herbie Hancock、Pharoah Sanders、Archie Shepp、Peter Brötzmann、Evan Parker、David Murray、John Tchicai、Reggie Workman等等大师合作过。他还与几乎所有的AACM成员都切磋过。
Pat Thomas © Fabio Lugaro
Pat Thomas，爵士钢琴家，是英国最重要的即兴音乐家之一，其钢琴演奏以精巧的技术和毫不妥协的态度著称。尽管演奏自由即兴音乐，但古典钢琴和乐谱音乐也对他产生了至关重要的影响，同时人们又可以感受到他对噪音与实验音乐的探索。
生于1960年，Pat Thomas的父母都来自于加勒比海上的安提瓜岛。8岁开始弹钢琴的他，某次在电视上看到加拿大传奇爵士钢琴家Oscar Peterson的演奏后，决定投身于爵士。1979年，19岁的Pat Thomas开始成为正式的即兴钢琴演奏家。九十年代初，声誉日隆的Pat Thomas应英国先锋即兴演奏家Derek Bailey的邀请，参与了Company Week的演出，并同这位伟大的吉他手多次合作并发行专辑。从1992年起，Pat Thomas成为英国自由爵士鼓手Tony Oxley四重奏的成员之一。
除了自由爵士，Pat Thomas还一直对电子音乐和合成器抱有浓厚的兴趣。1988年，Pat Thomas凭借他组织的十人乐团录制的三首电子声学（Electroacoustics）作品，获得了英格兰艺术委员会的爵士奖金，这些作品展示出电子乐在即兴演奏中的不同面貌。
Pat Thomas还曾和Hamid Drake和William Parker组成三重奏。此外，他与Jorn Zorn、Evan Parker、Chuck Berry、Oliver Lake、Han Bennink、Thurston Moore、John Butcher、John Russell、Bill Dixon等音乐名人都有过合作。
Hamid Drake、Pat Thomas 和 William Parker
在法国 Mulhouse 音乐节上的演出 2016
Hamid Drake was born in 1955 in Monroe, Louisiana, and his family moved to Evanston, Illinois when he was a child, just as an older musician from Monroe named Fred Anderson also moved to Evanston, with his family. Hamid started playing with local rock and R&B bands, which eventually brought him to Fred Anderson's attention. Drake worked with Anderson from 1974 to 2010 including on Anderson’s 1979 The Missing Link.
At Fred Anderson's workshops, young Hamid met Douglas Ewart, George Lewis and other members of Chicago’s AACM. Another of the most significant percussion influences on Drake, Ed Blackwell, dates from this period. Hamid’s flowing rhythmic expressions and interest in the roots of the music drew like-minded musicians together into a performance and educational collective named the Mandingo Griot Society, which combined traditional African music and narrative with distinctly American influences.
Hamid Drake © Rémi Angeli
Don Cherry, who Drake first met in 1978, was another continuing collaborator. After meeting Don Cherry, Hamid and fellow percussionist Adam Rudolph travelled with Don to Europe, where they explored the interior landscape of percussion and shared deeply in Mr. Cherry’s grasp of spiritually infinite transformational possibilities in music. Drake worked extensively with him from 1978 until Cherry’s death in 1995.
Now touring and recording all over the world and in constant demand everywhere, Hamid Drake has played and/or recorded with Don Cherry, Pharoah Sanders, Fred Anderson, Herbie Hancock, Archie Shepp, William Parker (in a large number of lineups), Reggie Workman, Yusef Lateef, Wayne Shorter, David Murray, Joe Morris, Evan Parker, Peter Brötzmann, Jim Pepper, Roy Campbella, Sabir Mateen, Rob Brown, Marilyn Crispell, Johnny Dyani, Dewey Redman, Joe McPhee, Adam Rudolph, Hassan Hakmoun, Joseph Jarman, George Lewis, John Tchicai, Iva Bittová and almost all the members of the AACM. These diverse artists all play in a broad range of musical settings which allows Drake to comfortably adapt to north and west African and Indian impulses as well as reggae and Latin. Although engaged as sideman, he is also devoting his energies and creativity as a band leader; focusing on his own groups and projects such as Bindu or Indigo Trio.
Pat Thomas began playing piano at the age of eight. He studied classical music and reggae was early interests. Thomas was inspired to take up Jazz after seeing legendary pianist Oscar Peterson on television. By 1979, Thomas was performing seriously as an improviser. In 1980 he became a member of oxford based group Ghosts with Pete Mcphail and Matt Lewis.
In 1988 he was awarded an Arts Council Jazz Bursary to write three new electroacoustic compositions for his ten-piece ensemble. The intention was to feature different aspects of electronics using improvisation so, for example, one piece - Dialogue - featured Pete McPhail and Neil Palmer, another concentrated on the interaction of percussionists and drum machines, and a third piece had Phil Minton and Jon Corbett improvising with a computer. The pieces were performed at the Crawley Outside-In Festival of new music in 1989. Cd release came out in 2009 on REEL ESTATE.
© Fabio Lugaro
He was invited by Derek Bailey to play in Company Week in 1990 and 1991 and he also took part in the 1st International Symposium for Free Improvisation in Bremen with the guitarist. He has been a member of the Tony Oxley Quartet since 1992 and played in Oxley's Angular Apron along with Larry Stabbins, Manfred Schoof and Sirone at the 8th Ruhr Jazz Meeting and in the percussionist's Celebration Orchestra. He also had a long standing duo with Lol Coxhill. In 1992, Pat Thomas formed the quartet Scatter with Phil Minton, Roger Turner and Dave Tucker; funded by the Arts Council they toured the UK in 1993 and again at the beginning of 1997.
He has worked with Mike Cooper, Steve Beresford, Geoff Hawkins, Chuck Berry, Tim Hill, Alex Ward, Eugene Chadbourne, Jimmy Carl Black, Thurston Moore, Mats Gustafsson, Evan Parker, Oliver Lake, Alan Silva, Bill Dixon, Joe Gallivan, John Zorn, John Butcher, John Russell. Duo with Mark Sanders since 1986, Duo with Steve Noble (who first met in1979).
Current activities include Solo Piano, Black Top, duo with Han Bennink, trio with William Parker and Hamid Drake and many more. He received Paul Hamlyn Foundation Award for Composers in 2014.
Vladimir Chekasin & Vladimir Tarasov
- 致敬斯特拉文斯基 Rondo à la Stravinsky
Vladimir Chekasin & Vladimir Tarasov
@8th OCT-LOFT Jazz Festival © 陈鸿@DAFA
Vladimir Chekasin和Vladimir Tarasov，两位立陶宛的国宝级艺术家。作为传奇的加列宁三重奏（Ganelin Trio / GTCh）的成员，他们与“俄罗斯新音乐之父”Vyacheslav（Slava）Ganelin共同缔造了立陶宛爵士的黄金年代，奠定了维尔纽斯爵士乐派（Vilnius Jazz School）的基础。他们被认为是世界上最伟大的自由爵士乐团之一。
2014年，Slava Ganelin携新加列宁三重奏（Slava Ganelin, Alexey Kruglov, Oleg Yudanov）参演第四届OCT-LOFT国际爵士音乐节，同时也是首次献演亚洲，那场历史性演出的场景仍在我们胸中激荡；2018年，作为另外两位元老的Vladimir Chekasin和Vladimir Tarasov以二重奏的形式来到爵士节的舞台。时隔一年，Vladimir Chekasin和Vladimir Tarasov将再次造访OCT-LOFT国际爵士节为大家献上题为“致敬斯特拉文斯基”的演出。
© 乐与饵
Vladimir Chekasin,
萨克斯手、作曲家、导演及教师，立陶宛爵士乐界最具影响力的人物之一，维尔纽斯爵士乐派的中流砥柱。在俄罗斯的斯维尔德洛夫斯克出生的他，于1971年定居立陶宛并加入了加列宁三重奏，担任其乐手长达17年（1971-1987）。包括他自己的乐团以及和其他艺术家合作的作品在内，Vladimir Chekasin参与的专辑已超过60张。他最著名的电影原声作品，要数为导演Pavel Lungin 1990年影片《的士布鲁斯》（43届戛纳电影节最佳导演奖）创作的配乐。在2013年9月，Vladimir Chekasin被授予“为维尔纽斯及立陶宛贡献”奖章。此外，他还曾在Birštonas爵士音乐节获奖，并曾被立陶宛音乐家协会授予“金唱片”奖。
© 乐与饵
Vladimir Tarasov,
Tarasov出生于俄罗斯阿尔汉格尔斯克，从1968年起定居维尔纽斯。作为一名作曲家、打击乐手和视觉艺术家，他多年来与包括立陶宛交响乐团在内的众多爵士和学院派音乐代表有过合作，也为各种乐团、电影和戏剧创作音乐。1971年至1986年间，他是加列宁三重奏的成员。包括三重奏、他个人及与其他众多艺术家和乐团的合作在内，他一共参与录制了超过100张专辑。2009年，他在莫斯科荣膺“凯旋奖”，是俄罗斯授予在文学和艺术领域获得最杰出成就的人物的独立奖项；2016年，他获得立陶宛国家文化艺术奖。“Vladimir Tarasov是拥有世所罕见之精湛技艺的鼓手。从指钹到镲片，他每一次触碰那些繁复多样的乐器，都散发出感官的愉悦。”（Nat Hentoff，美国《华尔街日报》）
Vladimir Chekasin & Vladimir Tarasov - La Grande Sonata
@8th OCT-LOFT Jazz Festival 摄制：大發錄像
Two of the most influential artists in Lithuania, Vladimir Chekasin and Vladimir Tarasov share the glorious years of collaboration as a trio with Vyacheslav (Slava) Ganelin. The legendary Trio has nurtured the aesthetics of the Vilnius jazz school and was arguably the world's greatest free jazz ensemble. And this time, the duo will be performing on the exact stage of OCT-LOFT Jazz Festival, where historical moments happened when the new Ganelin Tio(Slava Ganelin, Alexey Kruglov, Oleg Yudanov) gave their first ever live performance in Asia 4 years ago. The duo have performed on the stage of OCT-LOFT Jazz Festival in the last year, and they will come back with the main theme “Rondo à la Stravinsky”this time!
Vladimir Chekasin,
Saxophonist, composer, director and pedagogue, and one of the most influential Lithuanian jazz figures. He is the backbone of the Vilnius Jazz School. Born in Sverdlovsk, Chekasin settled in Lithuania in 1971, and attended the Ganelin Trio for 17 years(1971-1987). Chekasin’s discography amounts to over 60 albums, recorded with his own ensembles and various other performers. His best known pieces for movies is composition for "Taxi Blues"(1990) by Pavel Lungin (Best Director Award at 43th Cannes Film Festival). In September 2013, Chekasin was decorated with the medal “For Contributions to Vilnius and the Nation”. Moreover, he is a laureate of Birštonas Jazz Festival, and Gold Disc from the Lithuanian Musicians’ Union.
© Ziga Koritnik
Vladimir Tarasov,
Born in Arkhangelsk, Tarasov settled in Lithuania in 1968. As a composer, percussionist and visual artist, he has for many years collaborated with both jazz and academic music representatives, including the Lithuanian Symphonic Orchestra, and composed for orchestra, film and theatre. From 1971 to 1986, he was the member of GTCh. With the Trio and many other artists and orchestras he has recorded more than 100 records and CDs including numerous solo performances. In 2009, Vladimir Tarasov received the Triumph Prize in Moscow - Russia's independent prize for the highest achievements in the literature and art. He was awarded Lithuania’s National Culture and Arts Prize in 2016. “Vladimir Tarasov, a drummer of rare subtlety and cunning, takes sensual delight in the very touch of his extensive array of instruments, from finger chimes to cymbals.” (Nat Hentoff “The Wall Street Journal”, USA)
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